20th Century France: Durufle Requiem
- Tickets: $20-$40.
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Come to the Cathedral and
join us for the fourth and final concert in the series of Lenten
Concerts given by the National Cathedral’s concert ensemble, Cathedra.
Twentieth-century France produced as rich a seam of liturgical music as
has been seen in the history of western music. Arguably two of its
giants were Francis Poulenc and Maurice Duruflé. In tonight’s program
we hear the Four Lenten Motets of Poulenc and his unaccompanied Mass. The series closes with Durufle’s sublime Requiem, using his first edition with string orchestra and organ.
Poulenc composed music that reflects that fervent
Catholicism of his paternal side and the provocative artistic heritage
of his mother’s family. In the Quatre motets pour un temps de
pénitence, the former shines through. Although Poulenc’s inventive use
of harmony and rhythm are far from conservative, his choice of texts
and the intensity of their settings are unequaled. The Mass in G,
on the other hand, plays more with musical texture and color, employing
the singers like instruments, rather than striving toward the text
painting achievements of his motets.
Duruflé’s Requiem ranks among the most
beloved pieces in the Washington National Cathedral Choir’s repertoire.
The precise counterpoint of the Kyrie, the ecstatic climaxes of the
Domine Jesu Christe and Sanctus, and the powerful restraint of the solo
Pie Jesu are a breathtaking sequence of musical events. The angelic
conclusion of the In Paradisum transports the listener and singer alike
into a higher realm of consciousness.
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